And, alas, the timeline isn’t the most responsive we’ve used, feeling sluggish in operation when things begin to get complicated. On the other hand, there’s no way of controlling the way tracks react when cuts and edits are made upstream.Ĭamtasia’s default position is to leave all tracks in place unless you choose to use the cut tool, at which point the downstream elements on the affected track close up. That gives plenty of scope for creative animation, and any element on the timeline can be manipulated in this way.

Yes, the grouping functions and facility to lock tracks is useful, and we do like the way elements can be keyframe-animated, with keyframes displayed in a collapsible lane just below the relevant video clip. Second, it opens the way to capturing a wider range of source material, from Full HD web-streamed video to in-game footage, broadening the appeal of the software dramatically. If you’re thinking that doesn’t sound particularly useful to software demo producers, you’d be right, but what it does do is dramatically expand Camtasia’s flexibility.įirst, for those who regularly include video content in productions, the output will now look far more professional. The previous version used a codec that was capable of capturing screen activity at only 15fps second the new TSC2 codec now boosts that to a far smoother 30fps. TechSmith has also upgraded the application in several other crucial areas, beginning with the recording engine. As a tool for producing learning materials such as tutorials, this gives Camtasia a significant boost, allowing producers to engage more easily with their viewers, and to get quick feedback from tutorials and other educational materials.

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